{"id":6223,"date":"2026-09-10T09:19:23","date_gmt":"2026-09-10T13:19:23","guid":{"rendered":"https:\/\/framemuseums.org\/?p=6223"},"modified":"2026-09-21T09:25:39","modified_gmt":"2026-09-21T13:25:39","slug":"anael-pigeat-as-moderator-of-frame-2026-keynote-panel-discussion","status":"publish","type":"post","link":"https:\/\/framemuseums.org\/fr\/anael-pigeat-as-moderator-of-frame-2026-keynote-panel-discussion\/","title":{"rendered":"Ana\u00ebl Pigeat, as Moderator of FRAME 2026 Keynote Panel Discussion"},"content":{"rendered":"<p>Ana\u00ebl Pigeat is an art critic and journalist who graduated from the Courtauld Institute. She served as editor-in-chief of the magazine <i>Art Press<\/i> from 2011 to 2018, before joining the team at the monthly <i>The Art Newspaper France<\/i> as editor-at-large. She also contributes to the culture section of<i> Paris Match<\/i> and appears as a commentator on France Culture.<\/p>\n<p>Since 2020, she has created, produced, and hosted the Phonomaton podcast. She is the author of several books, including <i>Cin\u00e9ma Martial Raysse<\/i>\u00a0(Les Presses du R\u00e9el), <i>L\u2019Art en mouvement <\/i>(La Martini\u00e8re), <i>Effervescence de la peinture dans l\u2019art contemporain<\/i> (Flammarion), and <i>Alice Neel<\/i> (Flammarion).<\/p>\n<p>Ana\u00ebl Pigeat has also curated several exhibitions, including \u201cEntre tes yeux et les images que j\u2019y vois\u201d at the Pernod Ricard Foundation in 2022, \u201cDana Schutz, le monde visible\u201d at the Mus\u00e9e d\u2019Art Moderne de Paris, and \u201cStudio Conversations\u201d at David Zwirner Paris in 2025.<\/p>\n<p>&nbsp;<\/p>\n<p>To read this text in French, please click <a href=\"https:\/\/framemuseums.org\/new\/wp-content\/uploads\/2026\/09\/Bio-Anael-Pigeat.pdf\">here<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"<p>Ana\u00ebl Pigeat is an art critic and journalist who graduated from the Courtauld Institute. She served as editor-in-chief of the magazine Art Press from 2011 to 2018, before joining the team at the monthly The Art Newspaper France as editor-at-large. She also contributes to the culture section of Paris Match and appears as a commentator [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":6224,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-6223","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.2.1 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"emilie\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/framemuseums.org\/fr\/anael-pigeat-as-moderator-of-frame-2026-keynote-panel-discussion\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.2.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"fr_FR\" \/>\n\t\t<meta property=\"og:site_name\" content=\"FRAME 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