{"id":3567,"date":"2020-12-17T16:12:28","date_gmt":"2020-12-17T21:12:28","guid":{"rendered":"https:\/\/framemuseums.org\/?p=3567"},"modified":"2021-05-18T15:56:51","modified_gmt":"2021-05-18T19:56:51","slug":"le-monde-a-portee-de-sens-a-cabinet-of-curiosities-at-christophe-paul-de-robiens-in-the-18th-century","status":"publish","type":"post","link":"https:\/\/framemuseums.org\/fr\/le-monde-a-portee-de-sens-a-cabinet-of-curiosities-at-christophe-paul-de-robiens-in-the-18th-century\/","title":{"rendered":"Le Monde \u00e0 port\u00e9e de sens: A cabinet of curiosities at Christophe-Paul de Robien’s in the 18th century"},"content":{"rendered":"
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The Mus\u00e9e des Beaux-Arts in Rennes has published Le Monde \u00e0 port\u00e9e de sens: <\/em>A cabinet of curiosities at Christophe-Paul de Robien’s in the 18th century<\/em>, under the editorial management of Fran\u00e7ois Coulon, curator of the collections of archaeological and non-European objects. This first volume of a vast undertaking, which will include several other volumes, presents the non-Western collections of the cabinet of natural history and curiosities set up in Enlightenment Europe by Christophe-Paul de Robien (1698-1756), President at the parliament of Brittany.<\/p>

The book, which appeals to eminent international specialists including four members of the FRAME network, is presented as an ideological, chronological, and also a geographical survey on the subject of cabinets of curiosities. Jean-Roch Bouiller, director of the Rennes Museums of Fine Arts, first evokes the enthusiasm of contemporary art for cabinets of curiosities or the imagination they arouse. In addition to several essays and entries, Fran\u00e7ois Coulon also transcribed an interview with Linda Roth, Ph.D. and senior curator and the Charles C. and Eleanor Lamont Cunningham Curator of European Decorative Arts at the Wadsworth Atheneum Museum of Art in Hartford (Connecticut). This conversation captures the differences and similarities between the modern evocation of the Hartford cabinet and the authenticity of the cabinet presented in Rennes. Finally, Nicole Bridges, Ph.D., associate curator for African Art and the associate curator in charge of overseeing the Department of the Arts of Africa, Oceania and the America at the Saint Louis Art Museum (Missouri), takes stock of the uncertain origins, missing objects and African ivories from Robien’s cabinet.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

The Mus\u00e9e des Beaux-Arts in Rennes has published Le Monde \u00e0 port\u00e9e de sens: A cabinet of curiosities at Christophe-Paul de Robien’s in the 18th century, under the editorial management of Fran\u00e7ois Coulon, curator of the collections of archaeological and non-European objects. This first volume of a vast undertaking, which will include several other volumes, […]<\/p>\n","protected":false},"author":86,"featured_media":3568,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[8],"tags":[],"class_list":["post-3567","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t