{"id":284,"date":"2018-06-09T21:26:26","date_gmt":"2018-06-10T01:26:26","guid":{"rendered":"http:\/\/framemuseums.org\/?p=284"},"modified":"2021-05-18T15:57:53","modified_gmt":"2021-05-18T19:57:53","slug":"current-frame-exhibitions","status":"publish","type":"post","link":"https:\/\/framemuseums.org\/fr\/current-frame-exhibitions\/","title":{"rendered":"The Art of Iron from Le Secq des Tournelles at The Clark Art Institute &#8211; Partnership between FRAME museums"},"content":{"rendered":"<h5>The Clark Art Institute, June 9 &#8211; September 16, 2018<\/h5>\n<p><!--more--><\/p>\n<p>Drawn from the celebrated collection of the Mus\u00e9e Le Secq des Tournelles in Rouen, France, one of the world\u2019s finest museums devoted to wrought iron,\u00a0<em>The Art of Iron<\/em>\u00a0presents thirty-six unique objects in an installation celebrating the craft and beauty of these creations. Salvaged by the founders of the Mus\u00e9e Le Secq during a period when wrought iron was being rapidly discarded and replaced with modern materials, these pieces tell stories of preindustrial times and highlight the importance of iron in our shared past. The exhibition features shop, inn, and cabaret signs; architectural grills, gates, and balcony railings; masterful locks and lockboxes; spectacular lecterns made for churches; and household objects, including wares for the kitchen, bedroom, and garden.<\/p>\n<p><em>The Art of Iron<\/em>\u00a0is presented in the light-filled Michael Conforti Pavilion of the Clark Center, designed by Pritzker Prize-winning architect Tadao Ando. This modernist space forms an ideal backdrop for these historic wrought iron objects. The exhibition is accompanied by a fully illustrated catalogue, published by the Clark and distributed internationally by Yale University Press, that explores the themes of the exhibition and presents each object with new, large-scale photographic images.<\/p>\n<p>The exhibition is co-organized by the Clark Art Institute and the R\u00e9union des Mus\u00e9es M\u00e9tropolitains, Rouen, Normandy. Generous contributors to the exhibition include Sylvia and Leonard Marx and the Selz Foundation, with additional support from Richard and Carol Seltzer.<\/p>\n<figure id=\"attachment_350\" aria-describedby=\"caption-attachment-350\" style=\"width: 250px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-350 size-full\" src=\"https:\/\/www.framemuseums.org\/new\/wp-content\/uploads\/2018\/04\/Art-of-Iron_Bat_250x250-px.jpg\" alt=\"\" width=\"250\" height=\"250\" \/><figcaption id=\"caption-attachment-350\" class=\"wp-caption-text\">CABARET SIGN, BAT. Possibly 19th century, modified in the 20th century. Wrought iron and rolled iron, carved and embossed, green glass. Mus\u00e9e Le Secq des Tournelles, Rouen, LS.2003.4.1. Image \u00a9 Agence La Belle Vie \u2013 Nathalie Landry<\/figcaption><\/figure>","protected":false},"excerpt":{"rendered":"<p>The Clark Art Institute, June 9 &#8211; September 16, 2018<\/p>","protected":false},"author":691,"featured_media":2600,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-284","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-exhibitions"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/users\/691"}],"replies":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/comments?post=284"}],"version-history":[{"count":2,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/284\/revisions"}],"predecessor-version":[{"id":4163,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/284\/revisions\/4163"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media\/2600"}],"wp:attachment":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media?parent=284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/categories?post=284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/tags?post=284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}