{"id":198,"date":"2007-05-01T20:32:36","date_gmt":"2007-05-02T00:32:36","guid":{"rendered":"http:\/\/framemuseums.org\/?p=198"},"modified":"2021-07-08T13:51:17","modified_gmt":"2021-07-08T17:51:17","slug":"mythology-of-the-west-in-american-art-1830-1940-2","status":"publish","type":"post","link":"https:\/\/framemuseums.org\/fr\/mythology-of-the-west-in-american-art-1830-1940-2\/","title":{"rendered":"Mythology of the West in American Art, 1830-1940"},"content":{"rendered":"<p>Silvana Editions, 23x28cm, 216 pages<\/p>\n<p>With the contributions from:<\/p>\n<ul>\n<li>Laurent Salom\u00e9 (Director of the Museum of Fine Arts in Rouen): Are illustrators painters?<\/li>\n<li>Adeline Collange (Curator at the Nantes Museum of Fine Arts): Between mythical image and ethnographic portrait: a pre-photographic history of the representation of the Indians.<\/li>\n<li>Joan Carpenter Troccoli (Curator at the Denver Art Museum): &#8220;Like a ghost, he flees before us&#8221;: the romanticism and art of the American West.<\/li>\n<li>Francis Ribemont (Director of the Museum of Fine Arts in Rennes): The American West lived or dreamed by French artists in the nineteenth century.<\/li>\n<\/ul>\n<p><strong>La mythologie de l\u2019Ouest dans l\u2019art am\u00e9ricain, 1830-1940<\/strong><br \/>\nSous la direction de Laurent Salom\u00e9, Joan Carpenter Troccoli, Olivier Meslay<br \/>\n\u00c9diteur: Sylvana (2007)<br \/>\nBroch\u00e9 : 216 pages | Langue: Fran\u00e7ais | ISBN: 883660924<\/p>","protected":false},"excerpt":{"rendered":"<p>Silvana Editions, 23x28cm, 216 pages With the contributions from: Laurent Salom\u00e9 (Director of the Museum of Fine Arts in Rouen): Are illustrators painters? Adeline Collange (Curator at the Nantes Museum of Fine Arts): Between mythical image and ethnographic portrait: a pre-photographic history of the representation of the Indians. Joan Carpenter Troccoli (Curator at the Denver [&hellip;]<\/p>\n","protected":false},"author":691,"featured_media":4287,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/users\/691"}],"replies":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/comments?post=198"}],"version-history":[{"count":3,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/198\/revisions"}],"predecessor-version":[{"id":4288,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/198\/revisions\/4288"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media\/4287"}],"wp:attachment":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media?parent=198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/categories?post=198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/tags?post=198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}