{"id":197,"date":"2009-05-01T20:30:19","date_gmt":"2009-05-02T00:30:19","guid":{"rendered":"http:\/\/framemuseums.org\/?p=197"},"modified":"2021-07-08T13:49:15","modified_gmt":"2021-07-08T17:49:15","slug":"the-pleasure-of-the-taste-french-painting-at-the-time-of-madame-de-pompadour","status":"publish","type":"post","link":"https:\/\/framemuseums.org\/fr\/the-pleasure-of-the-taste-french-painting-at-the-time-of-madame-de-pompadour\/","title":{"rendered":"La Volupt\u00e9 du Go\u00fbt (The Pleasure of the Taste), French painting at the time of Madame de Pompadour"},"content":{"rendered":"<p>Catalog published for the exhibition initiated by the Portland Museum of Art and the Museum of Fine Arts in Tours.\u00a0It has taken advantage of the rich FRAME collections.\u00a0Texts by Penelope Hunter-Stiebel &#8211; Philip the Leyzour, and of many other authors.<\/p>\n<p>By Penelope Hunter-Stiebel; Philippe Le Leyzour (Editors)<br \/>\nPublisher: Art Stock Books Ltd.; Har\/Com edition (2009)<br \/>\nHardcover: 216 pages | Language: English | ISBN: 2757201751<\/p>\n<p><strong>La Volupt\u00e9 du Go\u00fbt : La Peinture Fran\u00e7aise au temps de Madame de Pompadour<\/strong><br \/>\nSous la direction de Philippe Le Leyzour ; Penelope Hunter-Stiebel<br \/>\n\u00c9diteur : Somogy \u00e9dition d\u2019arts ; Premi\u00e8re \u00e9dition (2008)<br \/>\nBroch\u00e9 : 215 pages | Langue : Fran\u00e7ais | ISBN : 2757201697<\/p>","protected":false},"excerpt":{"rendered":"<p>Catalog published for the exhibition initiated by the Portland Museum of Art and the Museum of Fine Arts in Tours.\u00a0It has taken advantage of the rich FRAME collections.\u00a0Texts by Penelope Hunter-Stiebel &#8211; Philip the Leyzour, and of many other authors. By Penelope Hunter-Stiebel; Philippe Le Leyzour (Editors) Publisher: Art Stock Books Ltd.; Har\/Com edition (2009) [&hellip;]<\/p>\n","protected":false},"author":691,"featured_media":4284,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[12],"tags":[],"class_list":["post-197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-publications"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/users\/691"}],"replies":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/comments?post=197"}],"version-history":[{"count":3,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/197\/revisions"}],"predecessor-version":[{"id":4285,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/197\/revisions\/4285"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media\/4284"}],"wp:attachment":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media?parent=197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/categories?post=197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/tags?post=197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}