{"id":190,"date":"2015-11-01T19:38:12","date_gmt":"2015-11-02T00:38:12","guid":{"rendered":"http:\/\/framemuseums.org\/?p=190"},"modified":"2021-05-18T15:57:53","modified_gmt":"2021-05-18T19:57:53","slug":"georgia-okeeffe-and-her-photographer-friends","status":"publish","type":"post","link":"https:\/\/framemuseums.org\/fr\/georgia-okeeffe-and-her-photographer-friends\/","title":{"rendered":"Georgia O\u2019Keeffe and Her Photographer Friends"},"content":{"rendered":"<h5><span style=\"font-size: 16px;\">Museum of Grenoble, November 7, 2015 &#8211; February 7, 2016<\/span><\/h5>\n<p><!--more--><\/p>\n<p>As the first solo show in France to be devoted to the American painter Georgia O\u2019Keeffe, the exhibition scheduled this autumn at the Mus\u00e9e de Grenoble is an outstanding event. Put on with the participation of the Georgia O\u2019Keeffe Museum in Santa Fe (New Mexico, USA), and the backing of the French Regional American Museum Exchange [FRAME], it goes back over the career of an icon of American art, who is as famous in the United States as Jackson Pollock. From her earliest works in New York to when she settled in New Mexico in 1949, Georgia O\u2019Keeffe was greatly influenced by modern photography. To encompass this factor, the exhibition will create a dialogue between her paintings and her photographer friends, forming a total selection of 90 works coming from fifteen prestigious international museums, as well as from major German, Spanish and French institutions.<\/p>\n<figure id=\"attachment_191\" aria-describedby=\"caption-attachment-191\" style=\"width: 439px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-191 size-full\" src=\"https:\/\/www.framemuseums.org\/new\/wp-content\/uploads\/2018\/05\/Georgia-OKeeffe.png\" alt=\"\" width=\"439\" height=\"329\" \/><figcaption id=\"caption-attachment-191\" class=\"wp-caption-text\">Gallery Photo by Emilie Vanhaesebroucke.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Museum of Grenoble, November 7, 2015 &#8211; February 7, 2016<\/p>","protected":false},"author":691,"featured_media":2679,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-190","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-past-exhibitions"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/190","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/users\/691"}],"replies":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/comments?post=190"}],"version-history":[{"count":1,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/190\/revisions"}],"predecessor-version":[{"id":4149,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/posts\/190\/revisions\/4149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media\/2679"}],"wp:attachment":[{"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/media?parent=190"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/categories?post=190"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/framemuseums.org\/fr\/wp-json\/wp\/v2\/tags?post=190"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}